Ebook Download Projects & Layouts (California Missions), by Libby Nelson Kari A. Cornell

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Projects & Layouts (California Missions), by Libby Nelson Kari A. Cornell

Ebook Download Projects & Layouts (California Missions), by Libby Nelson Kari A. Cornell

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Product details

Age Range: 9 and up

Grade Level: 4 - 6

Series: California Missions

Hardcover: 104 pages

Publisher: Lerner Pub Group (December 1, 1997)

Language: English

ISBN-10: 0822519313

ISBN-13: 978-0822519317

Product Dimensions:

8.8 x 0.5 x 8.5 inches

Shipping Weight: 1 pounds (View shipping rates and policies)

Average Customer Review:

4.5 out of 5 stars

11 customer reviews

Amazon Best Sellers Rank:

#965,726 in Books (See Top 100 in Books)

Unless you are a handyman type already, be sure to buy this book if you want to help your California school kid build that mission that is usually required. I did not have it at the time and am reminded mercilessly of the train wreck of a mission I sent my daughter to school with.

I purchased this book for a neighbor girl who was studying CA Missions and building models of the missions in the 4th Grade. I believe she understands and appreciates the missions much better now.

Great for teaching the 4th grade.

This book was very helpful in building my 4th grade son's mission project. It showed very good hints and tips on how to do certain details of each mission. I have two younger kids that I will surely use when it's their turn.

Great buy!

Just what we needed. Thanks.

There were great ideas on how to build your mission and some information for a report. Too bad there is no information about inside the mission.

I found this book (the 2008 edition) in the gift shop at Mission Carmel (aka Mission San Carlos Borromeo del Rio Carmelo, for all you other 4th grade parents out there :-) What a great find. It gives detailed yet simple instructions for building mission models, and accessories such as ovens and bell walls, using cardboard, popsicle sticks, sugar cubes, clay, foam core, egg cartons, pasta, etc. Many different options are described. There are recipes for making your own modeling dough and sand clay. Includes illustrations of what a real adobe mission wall looks like, in case you want to try to replicate it, and of how to layer lasagna noodles to make a Spanish tile roof. Did you know you can tear off the paper on one side of corrugated cardboard, and the corrugations underneath can also make a great tile roof? I learned that here. There are scaled layouts of all 21 missions and lots of encouragement for trying different things. The sample projects look like 4th grade missions, not dollhouses, and the emphasis is practical. Though I'm a semi-crafty person this book absolutely helped us get started, and to do things the easy way! (Though to make it complicated my daughter decided it would be great to do her mission as it looked originally, with a thatch roof and a stockade, so we couldn't use the modern layout, but had to look at the archeological records and old paintings... fun though.) The book also has brief but interesting info and illustrations on mission history and how and why things were built the way they were. Highly recommended.

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Ebook Free Broadcast Hysteria: Orson Welle's War of the Worlds and the Art of Fake News

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Broadcast Hysteria: Orson Welle's War of the Worlds and the Art of Fake News

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Audible Audiobook

Listening Length: 10 hours and 13 minutes

Program Type: Audiobook

Version: Unabridged

Publisher: HighBridge, a Division of Recorded Books

Audible.com Release Date: May 5, 2015

Whispersync for Voice: Ready

Language: English, English

ASIN: B00VVSARIK

Amazon Best Sellers Rank:

Excellent book for anyone interested in this broadcast, broadcasting history or 1930's radio. The book gives excellent, in depth coverage of the subject. Some of the issues involved in the War of the Worlds broadcast are with us today, such as the power of the media, what should be the role of government with regards to the media and efforts of the media to police itself which can be worse than government regulation. A good point the book makes is that the hysteria was blown way out of proportion by the news media and much of the hysteria can be blamed on an ignorant, poorly informed public who ignored reports of a Martian invasion and thought the Germans had invaded or a natural disaster had occurred. Public ignorance is a problem today.

Schwartz takes you on a well-documented history covering the "War of the Worlds" radio broadcast in 1938, which caused few instances of public fear, but excessive newspaper and other media coverage. After the October 31st Halloween broadcast, a storm of trouble for Orson Welles and the broadcasting industry erupted as the FCC, Congress and public figures called for an investigation and more regulations. Follow this fascinating story of an industry caught before the start of WWII and McCarthyism that could have significantly restricted radio and television programming development in the early years.

Fascinating analysis of probably the most famous radio broadcast, exploring both the actual story behind the perceived mass hysteria in the US (a misinterpretation sadly still widely taught) and the importance of fake news for modern media consumption. Also simply a well-written book that's enjoyable to read.

I have read many books and articles on the subject of War of the Worlds. This is by far one of the best. In the top 2 for sure.It is very well researched and written, and a wealth of knowledge on the subject.In particular, I enjoyed the chapters on the subsequent and little known broadcasts of War of the Worlds theme in Santiago, Chile - Quito, Ecuador - and Buffalo, New York Highly Recommended.

Incredibly well written and researched- a major contribution to understanding the incident and Welles

The radio broadcast on Halloween Eve 1938 of _War of the Worlds_ is the stuff of legend; it was, according to the title of one of several dramatizations of the event, _The Night That Panicked America_. The fake newscast about invading Martians, the stories go, led thousands of Americans to flee their homes, some heading to safer territory, some grabbing their guns to do battle. These are good stories, and in some cases they are close to truth, but they do not at all represent what actually happened. A. Brad Schwartz has studied the broadcast and its aftermath for years, doing his senior honors thesis on it and writing about it for PBS. Now his entertaining _Broadcast Hysteria: Orson Welles’s War of the Worlds and the Art of Fake News_ (Hill and Wang) gives fresh documentation of what really happened. The story isn’t as dramatic as the “panic” versions, but it is more interesting with its new details, and with some lessons for us residents of the twentieth century who get our fake news from sources more modern than radio plays.The Mercury Theater radio shows were serious dramas broadcast by CBS, and serious listeners enjoyed them. Schwartz has drawn on letters listeners wrote to the FCC, CBS, and to Welles himself (some of these letters only recently resurfaced) to analyze what really happened as the broadcast progressed. There were people who panicked, but Schwartz explains, “These panicked scenes of flight and near flight, which turned _War of the Worlds_ into the stuff of American legend, did happen, but they were very, very rare.” There was no mass hysteria, no suicides, no potshots at a water tower that was mistaken for a towering Martian machine, and no highways clogged with cars. What did happen? Well, people listened to their radios - they either enjoyed the drama as good radio theater and a thrilling scary story, or they were scared out of their minds and wanted all the news immediately. There were about six million listeners to the show, and about a million thought there was a real emergency, but the sort of emergency was not clear. Some did think that Martians were coming, and others thought a comet had made a disastrous impact. Some tuning in the middle of the program could have gotten the impression that there was a natural disaster on the east coast, or some sort of invasion by human armies. They called each other to spread the stories, and they called the police, and they called the newspapers, but in almost every case, they did not panic. The general lack of panic wasn’t a good enough story for the press at the time. It was far more fun to spread the stories of people who hit the road to flee the Martians, and those are the stories that stuck.That millions of Americans panicked on hearing the broadcast turned out to be fake news, thought of as real even by those who had skepticism enough about the broadcast itself. Schwartz shows that this made people fret about government involvement in broadcasting, weakening the FCC. The panic is still invoked by people worried about how manipulative broadcasters might be. There have been fake news TV shows, like _Special Bulletin_ (1983), which was about a terrorist attack on Charleston, South Carolina. These shows didn’t produce the scares that the Mercury Theater did; Schwartz rightly points out that one of the reasons is that the visual effects on television might be iffy, but the visual effects of radio are always convincing, because people imagine them for themselves. And we have had Jon Stewart, Stephen Colbert, and _The Onion_ to give us news that isn’t. Keep the airwaves open, is the lesson, and also: whether it be invading Martians, or Americans panicking in the streets: don’t believe everything you hear.

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